Sexagesima

Bach Cantata Day Information:
Sexagesima

The 60th day before Easter. Liturgical period : Ordinary time I.

Occurrences: February 4 2024, February 23 2025, February 8 2026, January 31 2027, February 20 2028, February 4 2029, February 24 2030, February 16 2031, February 1 2032, February 20 2033, February 12 2034, January 28 2035, February 17 2036, February 8 2037.

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Music for this day

• Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18
  (first performance 19 February 1713?, Weimar period)
• Leichtgesinnte Flattergeister, BWV 181
  (first performance 13 February 1724, Leipzig period)
• Erhalt uns, Herr, bei deinem Wort, BWV 126
  (first performance 4 February 1725, Leipzig period)

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Sexagesima is the second Sunday before Ash Wednesday, and falls less than 60 days before Easter. One step closer to the beginning of Lent. Three cantatas for you on this day, an earlier one from the Weimar period, and two from Leipzig.

Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18, is a very early Weimar cantata, probably created in 1713, with a young Bach experimenting with the new Italian musical style elements he got to know through work by Vivaldi. This cantata was performed again more than ten years later in Leipzig, at which point he changed the instrumentation somewhat. This later setting is the one used for most recordings, but the performance by La Petite Bande in your playlist uses the original Weimar setting, confirmed to me by Sigiswald Kuijken himself.

Leichtgesinnte Flattergeister, BWV 181, is from the first Leipzig cycle, and is a very short cantata, probably because it was performed together with Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 (in the Leipzig setting), one before and one after the sermon.

Erhalt uns, Herr, bei deinem Wort, BWV 126, is from one year later from the chorale cantata cycle. It uses a hymn originally written by Martin Luther in 1536, but expanded (with a different melody) by Justus Jonas, followed by part of another Luther hymn, and another Luther hymn makes up the end. So a hymn based on four sources and three melodies.

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Extra information

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